SURREALIST’S HOME. The slow and long travel on the infamous EDSA traffic coming from the northeast going to the southernmost city of Metro Manila were all forgotten when we stepped into a surrealist artist’s home studio in Katarungan Village, Muntinlupa.
The sprawling garden and all three floors of the Raul Lebajo estate are creation spaces where still-life images of mutant flora and fauna and botanical creatures are expressed on mural-sized canvas and on small pieces of paper.
RAUL LEBAJO. Surrealism was a revolutionary art movement that began in 1920s. Foremost surrealist artists paint melting clocks, floating men, strange creatures that give life of everyday objects and things that question the reality of appearance. This art movement has endured and remains popular because of its ability to unite all cultures. It is surreal because it is like in a dream.
The name Raul Lebajo is linked to Philippine surrealism. He paints familiar creatures and objects we see around us every day but in fantastic colors and dream-like forms to express his message that we must be symbiotic with nature and stop being destructive of our environment.
ALWAYS OUT OF THE BOX. Going up to a flight of stairs, Mr. Lebajo led us to the drawing room on the second floor where he does pencil sketches. Facing the artist’s drawing table is a painting that made me feel claustrophobic. Starring at it for a while, the respected artist broke the silence by explaining the thematic message of the piece, kinahon ang tao so they are struggling to go out of the box.
At one corner is a collection of miniature earthenware from Luz Gallery. They serve as an endless source of inspiration. The huge painting and the collectibles give us a clue that no matter how surreal and out of the box Lebajo’s artworks may appear on canvas or on paper, they are firmly rooted in shapes and forms drawn from real, everyday objects.
CREATIVE CLUTTER. Art supplies and unfinished works on canvas take much of the tall space on the third floor studio. Here, music from a small transistor radio fills the room.
A monobloc chair in one corner is painted with colorful dots. There is a display of action figures, a primitive bulol, and some disparate objects. All and the rest of the creative clutter we can only guess to have inspired the artist to play with forms that later appeared in his works.
EPILOGUE. We remain avid fans of our local talent and them having us in their home studio to listen to their stories, their opinions, and dreams, that experience is surreal.
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